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"Well, that's me an' you. Now then, what you s'pose I meant by them symbols? I meant this. I've gotta watch gap. Fetch your dog over an' we'll set him to watch it, an' we'll skin out an' go fishin'.",

Billy thought a moment. "Say, how'd you like to go out in my punt, on Levee Crick? I kin show you some cute baby mushrats an' some dandy black-birds' nests. It's not far away. We go 'cross that big fallow and through a strip o' hardwoods an' then we climb a stump fence—an' there's the crick. It's an awful fine crick, an' plumb full of bass an' pike. Say, will you go?",

"Ma's got the light burnin' an' the strap waitin' fer her little boy," chaffed Billy as they put up the barn-yard bars.,

Hinter shook his head. "Nobody would have them, they're too savage; and I haven't the heart to make away with them, because they are fond of me. I've had those dogs a long time, Billy."

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"Shoot?",

"No, it ain't, 'cause he kin kill a black snake a sight easier than he kin a womper, an' I'll tell you why. Black-snakes have got teeth. They bite. But their backbone is easy broke. A womper hasn't any teeth. He strikes with his bony nose. You know what one of them snakes kin do? You saw that big one, down in Patterson's swamp lay open Moll's face with one slash. They're thick necked, an' take a lot of killin'. This crow kin kill a black-snake with one slash of his bill. He has to choke the womper to death.",

He waited for an hour but Anson did not come. How was he to know that Billy had undergone a change of heart? Had he not caught the cold glint in Billy's eyes, when he had sneered at him in the class? Previous experiences had taught him caution. He had watched his brother go out behind the wood-pile and had promptly made tracks in the opposite direction.,

Mr Lawrence approached the figure of the young lady sobbing against the bulkhead, and placed his hand lightly upon her shoulder. She shook him off with a passionate convulsion of her whole form, which was full of disgust, aversion, and contemptuous wrath. It was a masterpiece of movement, eloquent in the highest possible degree of what she chose him to believe was in her mind. Her mother, Mrs Kitty O'Hara, had been famous for her artful strokes in this way. No actress surpassed her, and few were the equals of Mrs O'Hara in the remarkable gift of personification of passion by action.